The problem with writing reviews of old Broadway musical chestnuts, like Kismet, is that there’s so little left to say. Kismet has everything a lover of the traditional American musical theater would adore: a rousing score (including such standards as “Stranger in Paradise” and “Baubles, Bangles, and Beads”), a happily-ever-after love story where evil almost wins but gets punished in the end and love triumphs, an exotic locale (14th century Baghdad) with plenty of opportunities for jaw-dropping sets and sumptuous costumes. The musical garnered five Tony awards, including best musical (1953) and has gone on to charm audiences around the world for decades.
For those of you unfamiliar with the book, Kismet (Turkish for fate) follows the adventures of Haji, poet, beggar, and scoundrel. With his beautiful daughter Marsinah, the two rise from rags to riches against an Arabian Nights backdrop of intrigue and romance. Of course, along the way, the pair run across countless obstacles and colorful characters. It’s a fun, fascinating adventure, sure to please the most hardened of hearts.
Light Opera Works, in artistic director Lara Teeter’s capable hands, manages to bring off a production that’s as near to perfect as any Broadway aficionado could ever dream of. Teeter, and the marvelously talented production team, stick to tradition, but pull out all the stops when it comes to craftsmanship. Scenic designer Steven L. Gilliam uses a complex and gorgeous scheme of delicate drapery and Oriental rugs to suggest a middle eastern atmosphere to excellent effect. Lisa Beth Bower’s costumes, on a cast of dozens, went beyond imaginative, utilizing an entrancing palette of colors and fabrics to define character and time. Lighting and sound from Kurt Schnabel and Jonathan Darling, respectively, evoke mood with seeming effortlessness, but always manage to be right on target.
But it’s the performances that really make this Kismet worthy of praise. As Haji, John Shuffle is marvelously assured and holds the audience in his thrall throughout the two hour and 45-minute production. Shuffle is a master showman, whether he’s inducing laughter or sending chills down our spines with his impressive, flawless singing voice. Marie Svedja, one of Chicago’s most competent and gifted musical actresses, is simply stunning as daughter Marsinah; her clarion soprano is a gem. Heather Carolyn Ullsvik, as the sultry, yet sympathetic Lalume, displays an astonishing gift for musical phrasing and a real knack for comedy.
The biggest shame about Kismet is that it runs only for two weekends. Catch it before it’s gone.