Billy Elliot the Musical, Ford Center for the Performing Arts, Oriental Theatre, through Nov. 28. Alas, low ticket sales are forcing this Chicago company to close early. It’s a pity, since this multi-award-winning Elton John/Lee Hall musical carries an important message that should not only resonate with LGBT audiences, but anyone who has to overcome insurmountable odds to achieve a dream. SCM
Romeo and Juliet, Chicago Shakespeare Theater, through Nov. 21. Classical and modern pieces blend perfectly in a physically gorgeous show in which the text drives the action instead of slowing it down to sound like poetry. Splendid wing-and-drop set. Stunning flesh. JA
The Seagull, Goodman Theatre, through Nov. 21. Robert Falls does no-frills direction, too. This freshly conceived classic has no floods, no body bags and only one fake rock, but nevertheless illustrates irrevocably the sheer power of actors wholly immersed in their roles. MSB
Sweet Bird of Youth, The Artistic Home, extended through Dec. 19. Dale Calandra’s juicy production of Tennessee Williams’ very entertaining 1959 drama is full of plusses. Kathy Scambiatterra’s fading Hollywood starlet is a hoot, while Josh Odor’s self-possessed arrogance (and gorgeous golden torso) makes for an especially lovely gigolo. SCM
—By Abarbanel, Barnidge
and Morgan